BINGE CULTURE
  • Home
  • Projects
  • About
  • News
  • Work With Us
  • Contact

Bandwagon: In memory of Andrew Wyszchi (1943-2010)

17/1/2010

0 Comments

 

Few of you, I think, will even be aware of the passing on January 1st of one of theatre and performance art's most underappreciated geniuses.  I'm of course a long time admirer of Wyszchi,  so I thought I’d set myself the (daunting) task of listing the works of his which have inspired and touched me the most. So in no particular order:

-His series of Shakespearean "Absence Plays" in which the lead character (or characters as in his Romeo and Juliet (1972)), were removed, meaning that there were extended pauses where the text of their soliloquies "should" be. This cycle reached its artistic zenith with his Hamlet (1981) in which all the speaking roles were excised save for Horatio, who played his part as normal through the four hour play despite having lines in only seven scenes. Audience response was mixed, but Wyszchi countered that they didn't understand the production's "singular, troubling poignancy and cost effectiveness."

-His The Vanishing! trilogy (1973-76) explored in depth the philosophical question, familiar to all rehearsing actors, of where wallets, letters, swords, and other imaginary props "come from" during rehearsal, and where they "go" once given to other actors in the scene while blocking. He effectively asked: "when we, as actors and human beings engaged in imagined acts, give each other imagined pet rabbits onstage, and then release them because in five lines time we have to hug each other and we obviously can't have anything in our hands, where do those rabbits go, and isn't it time we paid attention to them?" 

-After the painful break-up of his marriage to Julia Wyszchi following her decade-long affair with  another man, he immediate cast them all in a three hour piece consisting entirely of the three of them on stage, being awkward and making tea for one another.  Critics praised it as "quite uncomfortable."

He is of course most famous to the public for his year-long full- immersion projects, which included:

-spending all of 1969 on public transport using a single daytripper.

-Living the entire of 1970 darwinistically.

-In 1990 he didn't speak all year and, flattered by repeated calls for an encore, repeated the work three more times. The New York Times called it "a breath of fresh air".
0 Comments



Leave a Reply.

    Scrapbook

    A place for putting writing and links. 

    Posts by Ralph unless otherwise noted.

    © Binge Culture Collective
    All rights reserved
     

    Archives

    June 2016
    March 2016
    February 2016
    January 2016
    November 2015
    August 2015
    July 2015
    June 2015
    April 2015
    March 2015
    February 2015
    January 2015
    December 2014
    October 2014
    September 2014
    August 2014
    July 2014
    June 2014
    May 2014
    April 2014
    March 2014
    February 2014
    January 2014
    December 2013
    November 2013
    October 2013
    September 2013
    July 2013
    June 2013
    May 2013
    April 2013
    February 2013
    June 2012
    April 2012
    February 2012
    January 2012
    November 2011
    September 2011
    August 2011
    July 2011
    June 2011
    November 2010
    October 2010
    September 2010
    August 2010
    July 2010
    June 2010
    May 2010
    March 2010
    February 2010
    January 2010
    December 2009
    November 2009

    RSS Feed

Official website of Binge Culture.
© 2020 Binge Culture Collective Limited.

  • Home
  • Projects
  • About
  • News
  • Work With Us
  • Contact