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<channel><title><![CDATA[BINGE CULTURE&nbsp;COLLECTIVE&nbsp; - Scrapbook]]></title><link><![CDATA[http://www.bingeculture.co.nz/scrapbook.html]]></link><description><![CDATA[Scrapbook]]></description><pubDate>Thu, 26 Apr 2012 17:40:18 -0800</pubDate><generator>Weebly</generator><item><title><![CDATA["I'm kinda hoping no-one comes to this"]]></title><link><![CDATA[http://www.bingeculture.co.nz/3/post/2012/04/comedy1.html]]></link><comments><![CDATA[http://www.bingeculture.co.nz/3/post/2012/04/comedy1.html#comments]]></comments><pubDate>Wed, 25 Apr 2012 14:37:04 -0800</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">http://www.bingeculture.co.nz/3/post/2012/04/comedy1.html</guid><description><![CDATA[Saw Joseph Harper's show "Honey' in the Fringe. It was really good. Weird, weird cartoons here. Can't wait for his show in comedy fest.   [...] ]]></description><content:encoded><![CDATA[<div class="paragraph" style='text-align:left;'>Saw Joseph Harper's show "Honey' in the Fringe. It was really good. Weird, weird cartoons <a href="http://josephernest.blogspot.co.nz/">here</a>. Can't wait for his show in comedy fest.<br /></div>  <div style='margin-top:10px;margin-bottom:10px;'><div style="text-align: center;"><object width="400" height="330"><param name="movie" value="http://www.youtube.com/v/YCXgu9BYU-s"></param><param name="wmode" value="transparent"></param><param name="allownetworking" value="internal"></param><embed src="http://www.youtube.com/v/YCXgu9BYU-s" type="application/x-shockwave-flash" allownetworking="internal" wmode="transparent" width="400" height="330"></embed></object></div></div>]]></content:encoded></item><item><title><![CDATA[Best of Binge]]></title><link><![CDATA[http://www.bingeculture.co.nz/3/post/2012/04/we-have-a-zine.html]]></link><comments><![CDATA[http://www.bingeculture.co.nz/3/post/2012/04/we-have-a-zine.html#comments]]></comments><pubDate>Sat, 07 Apr 2012 04:30:43 -0800</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">http://www.bingeculture.co.nz/3/post/2012/04/we-have-a-zine.html</guid><description><![CDATA[We have a zine! It's a collection of the writing and images accumulated since 2008. You can read it by clicking here.   [...] ]]></description><content:encoded><![CDATA[<div  class="paragraph editable-text" style=" text-align: left; ">We have a zine! It's a collection of the writing and images accumulated since 2008.<br /><br /><span></span> You can read it by clicking <a title="" href="http://issuu.com/ralphupton/docs/scrapbook">here</a>.<br /></div>  ]]></content:encoded></item><item><title><![CDATA[The outcome of the talks]]></title><link><![CDATA[http://www.bingeculture.co.nz/3/post/2012/04/the-result-of-the-talks.html]]></link><comments><![CDATA[http://www.bingeculture.co.nz/3/post/2012/04/the-result-of-the-talks.html#comments]]></comments><pubDate>Thu, 05 Apr 2012 18:14:26 -0800</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">http://www.bingeculture.co.nz/3/post/2012/04/the-result-of-the-talks.html</guid><description><![CDATA[       Today, we the delegates, in consultation with experts, concluded that the problems are big and w [...] ]]></description><content:encoded><![CDATA[<div ><div class="wsite-image wsite-image-border-none " style="padding-top:10px;padding-bottom:10px;margin-left:0;margin-right:0;text-align:center"> <a> <img src="http://www.bingeculture.co.nz/uploads/1/6/8/9/1689245/5688393_orig.jpg" alt="Picture" style="width:100%;max-width:460px" /> </a> <div style="display:block;font-size:90%"></div> </div></div>  <div  class="paragraph editable-text" style=" text-align: left; "><span></span>Today, we the delegates, in consultation with experts, concluded that the problems are big and we are small. This will not come as a surprise. We took into account the arcing trajectory of history, the slipshod and commitee-led development of our conciousness, and our personal experiences in our years of flatting. We are sceptical of our capacity to change and then to remain changed for the rest of time. Bear in mind that the delegates did not elect to evolve amid scarcity. We trust that this is beyond dispute.<br /><br /><span></span> Ladies and gentlemen, it is without shame or hesitation that we advocate the abandonment of hope. <span>We will of course continue within the visible framework. God knows we are juggling enough already. We respectfully point out that we, your elected&nbsp; representatives, cannot truly imagine very big things or very small things, nor things in the deep past or distant future. Our window of vantage is proscribed. </span>Relevant evidence of this can be produced. For all we know, this microphone works using magic. <span>We remind you of our education.&nbsp; </span>We cannot reasonably be expected to cope. It is difficult enough working this powerpoint or getting the bag out of the vacuum cleaner. You will empathise. We have the relevent graphs.<br /><span></span><br /><span></span><span> We fully accept the unthinkable </span>consequences of our actions and have resolved to give them no more thought. We will get in shape and pay more attention to the chore wheel. <br /></div>  ]]></content:encoded></item><item><title><![CDATA[Darwin made me do it #2]]></title><link><![CDATA[http://www.bingeculture.co.nz/3/post/2012/02/darwin-made-me-do-it-2.html]]></link><comments><![CDATA[http://www.bingeculture.co.nz/3/post/2012/02/darwin-made-me-do-it-2.html#comments]]></comments><pubDate>Fri, 17 Feb 2012 22:34:55 -0800</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">http://www.bingeculture.co.nz/3/post/2012/02/darwin-made-me-do-it-2.html</guid><description><![CDATA[  [...] ]]></description><content:encoded><![CDATA[<span class='imgPusher' style='float:left;height:0px'></span><span style=' float: left; z-index: 10; position: relative; ;clear:left;margin-top:0px;*margin-top:0px'><a><img src="http://www.bingeculture.co.nz/uploads/1/6/8/9/1689245/1700978.jpg?280" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:0;" alt="Picture" class="galleryImageBorder" /></a><div style="display: block; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;"></div></span> <div  class="paragraph editable-text" style=" text-align: left; display: block; "><br /><span style="font-style: italic;">Scenario 1: </span><br /><br />If creativity is Darwinistic, then it consists of mutation, selection and transmission.<br /><span></span><br /> Rehearsals include performers, a director, and a writer.<br /><span></span><br />The start is a single cell. A quote, an action, an idea. <br /><span></span><br />From this, the performers create random new ideas. <br /><span></span><br />The  director and dramaturg hunt and kill the ideas that cannot survive in  the thematic and theatrical environment of the performance. These ideas will not reproduce.<br /><span></span><br />The writer and their video camera make sure that sucessful ideas are reproduced, not lost or sanded down to nothing by repetition from memory.<br /><span></span><br />The organism grows day by day, by degrees.<br /><br /><span style="font-style: italic;">Scenario 2:</span><br /><br />The play is assembled by a tornado in a junkyard.<br /><br /><span style="font-style: italic;">-Ralph</span><br /></div> <hr  style=" clear: both; visibility: hidden; width: 100%; "></hr>  <div  class="paragraph editable-text" style=" text-align: left; "></div>  ]]></content:encoded></item><item><title><![CDATA["I've forgotton what normal is..."]]></title><link><![CDATA[http://www.bingeculture.co.nz/3/post/2012/02/on-the-radio.html]]></link><comments><![CDATA[http://www.bingeculture.co.nz/3/post/2012/02/on-the-radio.html#comments]]></comments><pubDate>Fri, 10 Feb 2012 16:14:08 -0800</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">http://www.bingeculture.co.nz/3/post/2012/02/on-the-radio.html</guid><description><![CDATA[Had a great little chat with Jim Mora for his "best song ever written" yesterday, about the festival and Wake Less. MP3 link is here . What a friendly man. Thanks Dad for the idea!Claire talked on 95bfm about being a producer (I know!) and what people can expect from Wake Less, you can listen to that  [...] ]]></description><content:encoded><![CDATA[<div  class="paragraph editable-text" style=" text-align: left; ">Had a great little chat with Jim Mora for his "best song ever written" yesterday, about the festival and Wake Less. MP3 link is <a title="" href="http://podcast.radionz.co.nz/aft/aft-20120210-1310-best_song_ever_written-048.mp3">here </a>. What a friendly man. Thanks Dad for the idea!<br /><br /><span>Claire talked on 95bfm about being a producer (I know!) and what people can expect from Wake Less, you can listen to that <a title="" href="http://www.95bfm.com/assets/sm/204130/3/claireoloughlin.mp3">here</a></span><br /><br /><span>Ralph</span><br /></div>  ]]></content:encoded></item><item><title><![CDATA[Darwin made me do it]]></title><link><![CDATA[http://www.bingeculture.co.nz/3/post/2012/02/darwin-made-me-do-it.html]]></link><comments><![CDATA[http://www.bingeculture.co.nz/3/post/2012/02/darwin-made-me-do-it.html#comments]]></comments><pubDate>Sun, 05 Feb 2012 19:22:51 -0800</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">http://www.bingeculture.co.nz/3/post/2012/02/darwin-made-me-do-it.html</guid><description><![CDATA[  From the file marked "serious and meaningful":Through my four years at university I became vaguely frustrated by how seldom it was acknowledged that we are, after all, bunch a apes.&nbsp;Artistic creativity seems to hover off the ground, encased in its theoretical fluff-speech; as a pretty staunch materialist I&rsquo;m interested in ways to anchor it to the real world. I had a strong suspicion that belie [...] ]]></description><content:encoded><![CDATA[<div  class="paragraph editable-text" style=" text-align: left; ">  From the file marked "serious and meaningful":<br /><br /><span></span>Through my four years at university I became vaguely frustrated by how seldom it was acknowledged that we are, after all, bunch a apes.&nbsp;Artistic creativity seems to hover off the ground, encased in its theoretical fluff-speech; as a pretty staunch materialist I&rsquo;m interested in ways to anchor it to the real world. I had a strong suspicion that belief in art and science are compatible in the way that belief in religion and science probably aren't (though other bingees disagree). I suspected that art had something to do with&nbsp;hot-wiring&nbsp;our ape brains and hijacking our lazy perceptive rules of thumb to create new experiences- messing with the wiring which has been created through evolution...<br /><br />  So I loved this lecture by <a title="" href="http://artsfaculty.auckland.ac.nz/staff/?UPI=bboy001">Brian Boyd</a>. Broadcast in 2008 in Nelson&nbsp;by Radio NZ National, it takes a nailgun and staples art's feet firmly to the ground. He says art is an adaption (not a hijacker), and the whole speech is fascinating.<br /><br /><a title="" style="" href="http://www.radionz.co.nz/search/results?mode=results&amp;q=storytelling+ape">The storytelling ape</a> <a title="" href="main.php#" style="border: 0;"><br /><br /><span style="font-style: italic; color: rgb(0, 0, 0);">Art constitutes another Darwin machine, an evolutionary subsystem effectively designed, in this case, for creativity.</span><br /><br /><span style="font-style: italic; color: rgb(0, 0, 0);"> Art shows evidence of good design to generate and accumulate  successful novelty. Darwin machines depend on the blind generation of  variation. Randomness, nature&rsquo;s way of exploring new possibilities,  seems an intrinsic part of brain function. But without selective  retention, randomness alone could not generate generate creativity that  exists in </span><em style="color: rgb(0, 0, 0);">en force</em><span style="color: rgb(0, 0, 0);">.</span><span style="font-style: italic; color: rgb(0, 0, 0);"> As in dreams, a cascade of new  ideas could take and lose shape almost without trace. </span><br /><br /><span style="font-style: italic; color: rgb(0, 0, 0);"> A testing as well as a generating mechanism operates within art  makers&rsquo; minds. The low cost of testing increases our opportunity to  refine what we do, through online feedback. Because art involves  external forms, the testing mechanism operates also in the mindset of  other humans, in terms of their interest. Attention provides the  selective mechanism of art. If a work of art fails to earn attention it  sinks. If it succeeds it can sail on even for millennia.</span><br /><br /><span style="font-style: italic; color: rgb(0, 0, 0);"> Crucially, we need to imitate in order to innovate. Starting from  scratch wastes too much accumulated effort. Far better to recombine  existing design successes.</span><span style="font-style: italic; color: rgb(0, 0, 0);">Established artistic forms reduce invention costs by posing well  defined problems and offering partial solutions. </span><br /><br /><span style="font-style: italic; color: rgb(0, 0, 0);">And in a system  designed to secure attention, the pressure to avoid habituation, the  dampening of response to prolonged or repeated stimulus, encourages  innovation.</span><span style="color: rgb(0, 0, 0);"> [Because of this], </span><span style="font-style: italic; color: rgb(0, 0, 0);">art faces consistent pressure for novelty.</span><br /><br /><span style="color: rgb(0, 0, 0);">Ralph</span><br /></a></div>  ]]></content:encoded></item><item><title><![CDATA[Thoughts on being a star, or: In a parallel universe I’m a trapeze artist, or: All We Do Is Lie]]></title><link><![CDATA[http://www.bingeculture.co.nz/3/post/2012/02/thoughts-on-being-the-star-or-in-a-parallel-universe-im-a-trapeze-artist-or-all-we-do-is-lie.html]]></link><comments><![CDATA[http://www.bingeculture.co.nz/3/post/2012/02/thoughts-on-being-the-star-or-in-a-parallel-universe-im-a-trapeze-artist-or-all-we-do-is-lie.html#comments]]></comments><pubDate>Wed, 01 Feb 2012 06:05:03 -0800</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">http://www.bingeculture.co.nz/3/post/2012/02/thoughts-on-being-the-star-or-in-a-parallel-universe-im-a-trapeze-artist-or-all-we-do-is-lie.html</guid><description><![CDATA[Aerial cont [...] ]]></description><content:encoded><![CDATA[<span class='imgPusher' style='float:right;height:0px'></span><span style=' float: right; z-index: 10; position: relative; ;clear:right;margin-top:3px;*margin-top:6px'><a><img src="http://www.bingeculture.co.nz/uploads/1/6/8/9/1689245/3974237.png?292" style="margin-top: 5px; margin-bottom: 10px; margin-left: 10px; margin-right: 0px; border-width:1px;padding:3px;" alt="Picture" class="galleryImageBorder" /></a><div style="display: block; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;">Aerial contortionist act in Cirque du Soleil&rsquo;s Quidam</div></span> <div  class="paragraph editable-text" style=" text-align: left; display: block; ">  I&rsquo;d rather be the moon than the sun<br /><br />  The little, mystical, vicarious one<br /><br />  You&rsquo;ll think of the night <br /><br />  Of wolves and of tides<br /><br />  It may be a lie<br /><br />  But it makes a good show<br /><br />  A trapeze act<br /><br />  A fine line<br /><br />  In the blink of the eye<br /><br />  Water to wine<br /><br />  Just a trick of the light<br /><br />  My moment to shine<br /><br />  But never the star <br /><br />  Of the sky.<br /><br /><br /><br /><span style="font-size: x-small;">Copyright Claire O&rsquo;Loughlin</span><br />     </div> <hr  style=" clear: both; visibility: hidden; width: 100%; "></hr>  ]]></content:encoded></item><item><title><![CDATA[Things other people wrote and drew]]></title><link><![CDATA[http://www.bingeculture.co.nz/3/post/2012/01/things-other-people-wrote-and-drew.html]]></link><comments><![CDATA[http://www.bingeculture.co.nz/3/post/2012/01/things-other-people-wrote-and-drew.html#comments]]></comments><pubDate>Sat, 28 Jan 2012 13:19:54 -0800</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">http://www.bingeculture.co.nz/3/post/2012/01/things-other-people-wrote-and-drew.html</guid><description><![CDATA[  [...] ]]></description><content:encoded><![CDATA[<span class='imgPusher' style='float:left;height:0px'></span><span style=' float: left; z-index: 10; position: relative; ;clear:left;margin-top:0px;*margin-top:0px'><a><img src="http://www.bingeculture.co.nz/uploads/1/6/8/9/1689245/2967350.jpg?448" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:0;" alt="Picture" class="galleryImageBorder" /></a><div style="display: block; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;"></div></span> <div  class="paragraph editable-text" style=" text-align: left; display: block; ">Found <a style="" title="" href="http://www.guardian.co.uk/artanddesign/2012/jan/27/david-shrigley-conceptual-artist">this article</a> and enjoyed these comments left below:<br /><br /> 						                              							"Could someone explain what the deeper thoughts they have are when looking at a dead stuffed dog with a sign saying I'm dead.<br /><br />What is the profound statement?"<br /><br /> 						 					...<br /><span></span><br />""If all we wanted from an artist was that they could draw, then art would simply be a skill"<br />Another apology for Mediocrity."<br /><br /><span>...</span><br /><span></span><br />"David Shrigley cannot draw<br />Bob Dylan cannot sing<br />Clint Eastwood cannot act<br />Kylie Minogue cannot write songs<br />The cast of Life of Brian cannot act<br />Eddie the Eagle cannot fly<br />JK Rowling cannot write<br />Eminen cannot rhyme<br />Teletubies cannot speak<br /><br />I cannot comment"<br /><br /><br /><a title="" href="http://www.google.co.nz/search?q=david+shrigley&amp;oe=utf-8&amp;rls=org.mozilla:en-GB:official&amp;client=firefox-a&amp;channel=np&amp;um=1&amp;ie=UTF-8&amp;hl=en&amp;tbm=isch&amp;source=og&amp;sa=N&amp;tab=wi&amp;ei=bVokT4XpLKyPiAf4q4XSBA&amp;biw=1366&amp;bih=629&amp;sei=cFokT9_wEeiTiAfw2-TlBA"><span>More David Shrigley here</span></a><br /></div> <hr  style=" clear: both; visibility: hidden; width: 100%; "></hr>  <div ><div class="wsite-multicol"><div class='wsite-multicol-table-wrap' style='margin:0 -15px'><table class='wsite-multicol-table'><tbody class='wsite-multicol-tbody'><tr class='wsite-multicol-tr'><td class='wsite-multicol-col' style='width:50%;padding:0 15px'><div ><div class="wsite-image wsite-image-border-thin " style="padding-top:10px;padding-bottom:10px;margin-left:0;margin-right:0;text-align:center"> <a> <img src="http://www.bingeculture.co.nz/uploads/1/6/8/9/1689245/7510043_orig.jpg" alt="Picture" style="width:100%;max-width:280px" /> </a> <div style="display:block;font-size:90%"></div> </div></div>  </td><td class='wsite-multicol-col' style='width:50%;padding:0 15px'><div ><div class="wsite-image wsite-image-border-border-width:0 " style="padding-top:10px;padding-bottom:10px;margin-left:10px;margin-right:10px;text-align:center"> <a> <img src="http://www.bingeculture.co.nz/uploads/1/6/8/9/1689245/7406771.jpg" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%"></div> </div></div>  </td></tr></tbody></table></div></div></div>  <div  class="paragraph editable-text" style=" text-align: left; "> 						                              							<br /><br /> 						 					</div>  ]]></content:encoded></item><item><title><![CDATA[Just be here]]></title><link><![CDATA[http://www.bingeculture.co.nz/3/post/2012/01/just-be-there.html]]></link><comments><![CDATA[http://www.bingeculture.co.nz/3/post/2012/01/just-be-there.html#comments]]></comments><pubDate>Sat, 21 Jan 2012 18:15:30 -0800</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">http://www.bingeculture.co.nz/3/post/2012/01/just-be-there.html</guid><description><![CDATA[More from Tim Etchells. "If there were a tangible contract between the performers and the  audience, what in your opinion is the most important thing this contract  would include? For me the most important thing as an audience member is an openness  to being there - to watching and experiencing what is actually  happening. Th [...] ]]></description><content:encoded><![CDATA[<div  class="paragraph editable-text" style=" text-align: left; ">More from Tim Etchells. <br /><br /><span></span><em style="font-weight: bold;">"If there were a tangible contract between the performers and the  audience, what in your opinion is the most important thing this contract  would include?</em> <br /><br /><span style="font-style: italic;">For me the most important thing as an audience member is an openness  to being there - to watching and experiencing what is actually  happening. That sounds very simple, but I think for most of us, myself  included, that&rsquo;s hard, because you come with other things on your mind,  with expectations and preoccupations and it&rsquo;s very easy to get confused  between what you&rsquo;re looking at and what you wish you were seeing. I  suppose that in some way every performance strives to create that quite  fundamental contact,  that contract, which is to say: We are here, you  are there, and this is  the moment we are engaged in together.</span><br /><span style="font-style: italic;">...</span><br /><span style="font-style: italic;">This focus on engagement-&nbsp; on presentness - is a struggle against the idea of the audience as a passive consumer of spectacle, against performance in which those watching are not implicated, not truly present. I know, this is a cruel way to think about an audience; a hungry animal that needs something to happen, bloodthirsty, eager for quick pleasures."</span><br /><br />    -Tim Etchells <a title="" href="main.php#" style="border: 0;"><span>(</span></a><a title="" href="http://www.prohelvetia.ch/Aktuelle-Ausgabe.793.0.html?&amp;L=4&amp;amp%3BL=4"><span>Full interview here</span></a>)<br /><br /><span>Reminded me of<a title="" target="_blank" href="http://www.bingeculture.co.nz/3/post/2010/10/thoughts-on-light-and-play.html"> this post</a> and of</span> some of the stuff we're learning and thinking about in <span style="font-style: italic;">Wake Less</span>.<br /></div>  ]]></content:encoded></item><item><title><![CDATA[New company bios, courtesy of google ]]></title><link><![CDATA[http://www.bingeculture.co.nz/3/post/2012/01/our-new-bios.html]]></link><comments><![CDATA[http://www.bingeculture.co.nz/3/post/2012/01/our-new-bios.html#comments]]></comments><pubDate>Thu, 19 Jan 2012 02:42:06 -0800</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">http://www.bingeculture.co.nz/3/post/2012/01/our-new-bios.html</guid><description><![CDATA[This autumn event is a celebration of pumpkin growing on an impressive scale. The man behind it is Ralph Upton, an amiable retired market gardener who can lay claim to the title King of the Pumpkin World.  Fate often provides a helping hand when it comes to career guidance. In Claire O&rsquo;Loughlin&rsquo;s case, communication would become a cornerstone of her life when she found herself effectively voice [...] ]]></description><content:encoded><![CDATA[<div  class="paragraph editable-text" style=" text-align: left; ">This autumn event is a celebration of pumpkin growing on an impressive scale. The man behind it is Ralph Upton, an amiable retired market gardener who can lay claim to the title King of the Pumpkin World.  <br /><br /><span></span>Fate often provides a helping hand when it comes to career guidance. In Claire O&rsquo;Loughlin&rsquo;s case, communication would become a cornerstone of her life when she found herself effectively voiceless while on holiday in France when she was a teenager.  <br /><br /><span></span>Simon Haren (1860 - 1908) Born in Malaga, Monroe, Ohio, USA on 1860 to Frederick Haren and Barbara Burkhard. Simon married Catherine Hamilton. He passed away on 9 Jan 1908.<span></span><br /><span></span><br />Labor Candidate for Dickson Fiona McNamara today slammed comments made  by Tony Abbott that better GP services &ldquo;were unnecessary&rdquo;.<br /><span></span><br />  Care home deaths: Rachel Baker, the drug-addicted manager: Rachel Baker professed to love the elderly residents at the care home which she ran and regarded them as part of the family.<br /><br />Nobody else has ever been named Joel Baxendale.<br /><br />  </div>  ]]></content:encoded></item></channel></rss>

